I took some pictures, rather. I don't have a nice professional camera, so when I want to take some nice, professionalish pictures, I borrow a friend's Canon 10D. I baked him a pie in exchange for use of his camera this time so I could shoot my best friend's engagement portraits. I thought I'd post a few of the pictures I took in a blog here, along with some others I've taken over the last few months.
I wish I had my own camera so I could get more hands on practice on a daily basis. The operation of the camera is all the holds me back. I can't think fast enough to compensate for certain situations, like the constant changing light during the engagement session. I don't know basic camera operations off the top of my head like I do a video camera. I need my Canon T2i so I can do some HDSLR video AND some stills, and get more fluent in the various knobs and buttons.
Here are the pictures. I put the majority of them behind a cut as to not weight down this page.
It started to rain, so a few pictures were taken under a porch in some bizarre lighting conditions.
Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts
Wednesday, June 2, 2010
Wednesday, September 30, 2009
Pro Camera =/ Pro Photographer
Recently, I've noticed a few people on my Facebook friends list who have taken up photography as a hobby after having purchased a DSLR. I think this is great and I'm all for experimentation. However, I'm noticing a theme in their photographic style that also happens to amateurs in video.
Everything is at a distance. Nothing has any meaning. It drives me crazy.
I think candids are the best shots. Shots from afar can capture the whole essence of a scene's setup. When every single shot is from the same length, with the same framing, of the same non-action, it's a moment captured that tells no story.
This happens in video too. All shots are from one distance with no variety. Shots are placed for the shot, and they lend nothing to the story. Cuts are made just to do so, even when they don't drive the action or reveal anything about the characters.
This drives me absolutely crazy. I think the biggest thing for new videographers and photographers to learn is to get in close. Like, SUPERDUPER CLOSE! Physically get close to a subject. If the subject doesn't want you in their space, zoom in. Capture a true emotional moment, not someone's head centered in a frame.
Vary your shots to give yourself a way to build a rhythm in your scene in the edit or cover up icky spots. Try new things. Experiment. Just because you have the ability to create a nice blurred background, that doesn't automatically make every single shot a masterpiece. You've mastered depth of field, now try playing with the other settings.
But most of all, try getting closer. Even an extreme closeup or two. Bring your viewer or audience into your frame with your subject rather than floating around a scene and silently observing from afar.
Everything is at a distance. Nothing has any meaning. It drives me crazy.
I think candids are the best shots. Shots from afar can capture the whole essence of a scene's setup. When every single shot is from the same length, with the same framing, of the same non-action, it's a moment captured that tells no story.
This happens in video too. All shots are from one distance with no variety. Shots are placed for the shot, and they lend nothing to the story. Cuts are made just to do so, even when they don't drive the action or reveal anything about the characters.
This drives me absolutely crazy. I think the biggest thing for new videographers and photographers to learn is to get in close. Like, SUPERDUPER CLOSE! Physically get close to a subject. If the subject doesn't want you in their space, zoom in. Capture a true emotional moment, not someone's head centered in a frame.
Vary your shots to give yourself a way to build a rhythm in your scene in the edit or cover up icky spots. Try new things. Experiment. Just because you have the ability to create a nice blurred background, that doesn't automatically make every single shot a masterpiece. You've mastered depth of field, now try playing with the other settings.
But most of all, try getting closer. Even an extreme closeup or two. Bring your viewer or audience into your frame with your subject rather than floating around a scene and silently observing from afar.
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